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Captivating and Amazing Out of Bounds Photo Effects

classiclori — Thu, 16 Sep 2010 05:52:49 +0000

Out of Bounds (OOB) is an interesting photo effect where the object or scene in the image seems to jump right out of the photo or its borders. It is a photo manipulation technique to add an illusion of 3-dimsnsionality to a flat photo. Getting an interesting OOB effect depends largely on the photo angle and the overall execution of the concept. It is lots of fun to create an OOB effect. You can use any photo editing software such as Photoshop or Gimp. With some imagination, creativity and basic photo editing knowledge you can create an amazing OOB image that captivates the viewer’s attention. This article showcases 50 most spectacular examples of Out of Bounds photo effects. We have also featured some excellent tutorials if you are interested in learning how to create this effect in Photoshop. So lets venture into this mesmerizing world where you will find creatures, people, and vehicles jumping right out of the screen.

50 Captivating Out of Bounds Creations

The Train

Lizard Popping Out

Get Me Out

Get Me Out is an amazing surreal styled Out of Bounds effect. The old antique photo frame, the expression of the subject and the clever use of lighting and shadow gives the entire image an extra dimension and adds a surreal effect. You can easily create a photo effect like this with a great original image, some stock resources, if necessary and with the effective use of Photoshop . Some of the tutorials featured at the bottom of this article can also guide you to create a surreal Out of Bounds illustration.

Bridge

Napoleon

Wildlife Book

You would not want to read a wildlife book where animals come out of the book! The concept of creating an Out of Bounds effect with the book is brilliant. The idea is beautifully executed.

VROOOOOM!

You might have seen many Out of Bounds effects with a car jumping out of photo frame, but this one is fantastic. The dust, the tire tracks and the whole execution of the concept adds action and depth which makes the outcome realistic.

Dress Lady

Fish – Out of Bounds

Snake Book

Snake Book is another very unique and original idea where the subject, a snake in this case, is shown coming out of magazine’s page. It is amazing to see how 2 different images (a book and a snake image) are put together and how the whole composition is given an Out of Bounds effect.

Holding Hands

Holding Hands is a clever example of what you can do with Photoshop. The concept is brilliantly executed with five different images of hands pulled together to create a simple yet incredible piece.

Bridge To Somewhere

Hungry Snail

A cool Out of Bounds effect of a snail coming out of a photo for food. In this meticulously executed idea, four different source images are used and they work really great together.

Hang On

Taking Off

The Escape

The idea of television sinking in the sea and the cute joyous fishes jumping out of its screen makes The Escape a visually appealing piece of Out of Bounds photo effect.

Sports Gallery

Escape in Time

Cave Nymphs

Out of Boundry

Possible with Photoshop

Slides

Slides is an amazing and unique style of Out of Bounds effect with the creatures coming out of slides. The little details like water drops and dirt really add to the over all image and keeps the viewers attention.

Interactive

That is one smart monkey who can jump out of photograph for food, a very interactive piece indeed.

Waterfall

Humm, Pizza

It wouldn’t be wrong to say that Humm, pizza is a drooling and mouth watering Out of Bounds effect. If you ever wished you could eat your favorite food directly from an advertisement or photo, you can do that with Photoshop.

The Lady Loves Chocolates

And if you think pizza isn’t enough, here are some chocolates.

Zodiac

Honeymoon

Honeymoon is a cool romantic example of Out of Bounds effect. The expression on the face of subject, the way he is jumping out of frame, the colors of the image and the background scene makes it an awesome piece of work.

OOB Guy

Battle

Out of Bounds – OOB Art

Loves Me

Surfing

Pulling Crackers

In Pulling Crackers, subjects are coming out of hinged picture frame. The soft pastel colors of the images in frame and all the decoration around it makes it a beautiful piece.

Internet Kiss

Riding China Style

Living Art

The Easy Way

Photoshop Solutions

A creative way to solve water shortage problems.

Comming Out Clean

Spiderman

Reaching Out of Bounds

Catch of the Day

Bubbles

Sticking Out

Snail

Beer

Hold Yourself Together

This actually is not an out and out photo manipulation but a drawing done with a graphite pencil from a reference. The style of this portrait is really very creative, all the pieces of polaroids with the hands holding them makes the concept an interesting Out of Bounds artwork.

Little Artist

Bridge

It is impossible to not get inspired and fascinated. Well, I also created one Out of Bounds effect.

Tutorials on Out of Bounds Effect

Create an Out of Bounds Fantasy Illustration

This fantastic tutorial from Psdtuts+ shows you how to create an Out of Bounds fantasy illustration where you create a painting on a wall which is a real world. It guides you through the process of creating a fantasy scene, making water pour out of a painting. You can create this surreal illustration with the use of absorption effect, colors and a variety of stock resources. You can also watch a video tutorial complimenting this text and image tutorial. If you have never experimented with surreal concepts in your artworks and want to incorporate it, we have an excellent Creative Sessions’ article, Incorporating Surrealism Concepts into Your Digital Artwork to guide you.

Out-of-Bounds

A simple and easy tutorial that can get you started with Out of Bounds photo effects. This tutorial shows you how after carefully analyzing the image you should decide where the best perspective is for the frame (the part that will set it out of bounds), how to hide the part of image with Layer Mask and how to add the shadows to add the extra dimension to the image.

Create an Out of Bound Photo in Photoshop

This easy to follow tutorial shows you how to create Out of Bounds photo effects in Photoshop using the Polygon Lasso Tool, Warp Effect and how you can tweak the colors using color saturation levels.

3D Border Breakout

A detailed step-by-step tutorial on how to create an Out of Bounds effect. This tutorial also shows you how to give the illusion that the subjects are jumping out of the picture by adding depth through perspective, shadows and some imagination.

Photos Out of Bounds

Here is a fun Photoshop tutorial that shows you how to make a picture jump out of the frame into another photo. You’ll use two images for this tutorial, Pen Tool to extract the part of image, Transform Tool to set up perspective and Layer Styles for more effects.

Using Photoshop To Make an Image Jump Out of Frame

The following tutorial teaches you how to create an Out of Bounds photo using basic Photoshop skills to isolate the target, giving it a realistic look with proper perspective and other effects. It highlights the importance of choosing the right photo to get a true 3D effect.

Create an Out of Bounds Surreal Photo Manipulation in Photoshop

This tutorial is a detailed walkthrough of an artwork, which shows you how to create a surreal out of bounds effect in Photoshop. The tutorial uses variety of stock images and highlights the advantages of adjustment layers and how important they are to create a intense photo manipulation. In this detailed step by step walk through it is interesting to see how the subject, a shark in this case is shown coming out of antique photo frame and how the photo manipulation is given a realistic look using various Photoshop tools and effects.

Midnight Magic Scene Creation in Photoshop

This again is a very interesting tutorial if you want to show a subject coming in or going out of TV screen and a big photo frame. This tutorial demonstrates how you can give a dramatic effect to the scene by using Blending Modes, Layer Styles and Photoshop Filters.

Photo Cutout

This tutorial demonstrates a very simple technique where the subject is extracted from the image using Extract tool and a clever use of Layer Mask to hide the part of image to create a effect that makes the subject look like it’s coming in or out of a photo. In this tutorial you will learn how to use Photoshop’s Extract tool, Layer Masks and Layer Styles to create a cutout from a photo.

Out of Bounds Photoshop Action

And finally, a bonus! This actually is not a tutorial but a Photoshop Action which simplifies the steps needed to create the impressive Out of Bounds photo effect. The Action allows you to define the border size, the perspective of the image, the out-of-bounds areas and you can also add the shadow effects. The action is very flexible and makes use of layer masks, which allows you to fine tune the effect at a later stage. There is also a video that guides you through the process of using this Photoshop Action to create an amazing OOB photo effect. At Panosfx you will also find some more great Photoshop Actions.

Further Resources

As you work through above tutorials to create an OOB effect (or any photo manipulation) it is essential to know some of the basic Photoshop techniques like working with Layers, Layer Masks, Selection and Transform techniques. Below we have listed the links to some of those tutorials.

Web Design In Poland

classiclori — Fri, 16 Jul 2010 23:13:07 +0000

Vodka, pickled cucumbers and Pope John Paul II might spring to mind when someone mentions Poland. Obviously there’s more to Poland than that. On the world map of design, Poland is marked by creative agencies that produce high-level design and employ some of the best programmers in the world. There’s also a crowd of freelancers and visionaries who have received worldwide recognition.

For the people I interviewed, Web design is life. The art directors and freelancers highlighted here work in all sorts of environments, and they answer questions related to our field. You’ll have the opportunity to see Polish Web design from a number of perspectives — and to form your own opinion while browsing selected productions.

[Offtopic: by the way, did you know that there is a Smashing eBook Series? Book #1 is Professional Web Design, 242 pages for just $9,90.]

The State Of Things

Question: Can you name some of the milestones in Polish Web design? What are the biggest and most important productions in recent years?

Jacek Opaluch of K2 Internet: If milestones are things that have changed the perception of Web design, we have to mention Internet locations, events and designs. In my opinion, the locations would inlude mocnweb.pl, a forum that no longer functions and is probably only remembered by people over 30. It was a place where people could share their initial experiences and which, if I remember correctly, had the first carefully selected catalogue of Polish Web designers’ websites.

Then there was the everlasting webesteem.pl, steadily breaking records as the website with “the layout that never changed.” There were always several people around — some significant, like Bartek Gołębiowski, Jędrek Kostecki, Bartek Rozbicki, Wojtek Krosnowski, Wojtek Piotrowski, Piotr Łupiński and Łukasz Twardowski — whose attitude toward the Internet undoubtedly had great influence on thinking and design. There were many more people whose names I don’t remember, unfortunately, for which I apologize.

Chopin2010.pl

Certain designs are stuck in my mind. These were well known, not just in Poland, and sometimes they were great examples to follow. Some have been replaced by newer versions, so giving the URLs here might be pointless, but they definitely include: Max Weber’s pdk.pl, a Flash portal with much character (probably the first in Poland); Nokia (created by K2 Internet); plama.art.pl and its subsequent versions; feta.pl; Sullivan’s Productions; click5.pl; Ars Thanea; cookie.pl; and recently, StudioKxx and huncwot.com. These are all first-class websites. Unfortunately it’s impossible for me to name every excellent website.

In my opinion there were two other crucial events that gave shape to things: agencies went public (a sort of goodbye to the formative years of Web design) and eBay debuted in Poland. These events showed the quality of our service and proved that the Polish internaut had been highly underestimated abroad.

Question: Are there any significant differences between Web designing in Poland and in the rest of Europe when it comes to artistic development?

Jacek Opaluch: There are differences in budget, in the attitudes of clients and in understanding the Internet’s potential. Statistically, I don’t see any difference in the quality of the things we do: we win awards, we are jurors and we build among the best of the websites that present outstanding design — just like the rest of the world.

Zakochaj się w kolorze.

Kamil Kaniuk of Merix Studio: Polish programmers and coders are generally well regarded, which results from our observations and experience — often in cooperation with foreign firms. Numerous highly skilled Web developers are in Poland whose code is of world-class quality. Here at Merix Studio, we are searching for such people. The skills of our coders have been appreciated by the British company Independent News and Media, which prepared a series of test tasks for us before they decided to commission us to work on their leading brands (The Independent and Herald, for example).

We are less inspired by Flash achievements and augmented reality (so popular right now) than are other interactive agencies in Poland. We are more interested in the productions of smaller flexible firms such as 37signals, nclud, Reactive and Clearleft. We invest in flexible and cost-optimal open-source software (Drupal, WordPress, Magento), because it can easily substitute for expensive commercial solutions.

Open-source software is regarded slightly differently in Poland than it is in Western countries; the opinion that any self-respecting interactive agency should have its own original content management system (CMS) still prevails here, but this is not so. Just look at the US government: Whitehouse.gov is based on Drupal.

In the current period of economic slowdown, Western companies are looking for ways to reduce costs while maintaining good quality. Many companies outsource to such countries as Poland, and these companies often have funds at their disposal that allow them to be more open to creative ideas. This is encouraging for Polish Web designers.

Warszawska Jesień 2008

Question: When was the starting point of innovative Web design in Poland? When did new media settle in Poland for good?

Łukasz Twardowski of Cookie.pl: The first thing I remember from the Internet was an interactive advertising campaign for Frugo juice. The campaign was created by an agency, and it was the first Polish viral ad. It probably significantly increased interest in the Internet as a medium for advertising, and it collided with the so-called “Internet bubble,” which burst before any innovative design came into being.

Still, this was the time when most designers I admire became active. Some independent websites on Web design were created, like Mocny Web or Webesteem. They attracted people who already thought of themselves as designers for new media. Looking back, I see that what pushed us forward was energy and optimism rather than skills and knowledge.

I think we became aware of both (i.e. skills and the role of Web design) about three or four years ago, but the awareness wasn’t strong yet. The major problem with Web design in Poland is that the best interactive agencies give priority to advertising, and design is a secondary issue. Small clients such as photographers and architects, who might desire and deserve the best designs, often don’t have enough money to employ professionals. It’s great to see, though, that cultural institutions have more money to spend on the Internet, and they spend it wisely.

Question: Is it possible to identify specific patterns in Polish Web design? Is every significant website really different from all the rest?

Łukasz Twardowski: I wish Polish Web design had German discipline, Scandinavian simplicity and our knightly imagination. Polish designs are often much more daring than those of our neighbours. Still, if we want to develop our philosophy of design and be visible to the world, then we have to make more effort.

The economy in Poland has been improving, and the only thing we need now is more energy and optimism. Mocny Web died naturally, and Webesteem is on its last legs. What we lack is a central forum where young designers (in a sense, all of us are “young”) can see the spectacular Web designs and discuss them.

Flirt Camp

Kamil Kaniuk: We think that in Poland there are still no styles in Web design that would distinguish our country from others — that is, that any styles are unequalled. Although one could fairly easily enumerate some common features of designs created elsewhere (the meticulous detail and profound illustrations of Russia, for example, or the graphic-rich interfaces of the United States), no specific style dominates in Poland. However, the “transfer of ideas” (say from West to East) is much faster now than it was a few years ago.

Too often a design is a compromise between the vision of the designer and the requirements of the customer. Such designs tend to undergo amendments by the customer, which can change their original form. In our opinion, the openness of customers to modern solutions (e.g. non-standard interfaces based on JavaScript, like Xpiritmental) is less common in Poland than elsewhere. Foreign customers seem to be more open to our ideas and give us greater freedom, and they are ready to make use of technologies like JavaScript and AJAX.

That opens the gate to creativity and gives the freedom to implement interesting solutions. In many Polish agencies — including those that work with big brands and budgets — some cheap and mediocre designs are created out of necessity.

Kula.gov.pl

Question: What is it like to work as a freelancer in Poland? Is it drudgery or a stress-free job? Is it about keeping loyal clients or constantly searching for new ones?

Jan Stańko: We shouldn’t generalize; every freelancer is different. Starting off is definitely difficult. Without a strong position in the market, you have to look for clients on your own, and you have to convince people that you are trustworthy and deserve opportunities. There are plenty of freelancers, but unfortunately the majority of them are young and immature and have no idea about the business. They finish school and immediately call themselves professionals. It can end badly: very often the honest designers who treat the profession seriously and think of it as their future have to suffer the consequences.

In time, the serious freelancer gets clients and agencies start knocking on their door. Then you can choose the tasks you like the most, and that brings more money. Work gets difficult when you want to earn more money; it can mean sleepless nights, gallons of coffee and in my case, unfortunately, plenty of cigarettes.

There are moments of anxiety as well, usually brought on by people who pretend to know everything about the Internet but actually know very little. I guess the best solution is to cooperate with agencies on a regular basis. Agencies can take the burden of work overload and stress off your back. Also, their complex services give you the opportunity to meet more interesting clients. As for the future, time will tell. I’m not even halfway through my career. Trophies are still a long way ahead!

Bubole

Rafał Nastały: Earning one’s living as a freelancer in Poland without a recognized name can be incredibly tough. Independent clients often don’t want to sign contracts or pre-pay. They also think that preparing a layout is a piece of cake, so when they hear the price, they often back out. It’s very frustrating. It’s much more pleasant to cooperate with several agencies that can give you a fairly constant number of orders.

Piotr Biernawski: I have five or six regular clients. Sometimes a client withdraws, and it’s usually because of money. It’s never a disagreement about the terms of the contract but about actually sticking to these terms (payment can be long delayed, etc.). But when some go, others come. I’ve been working with longstanding clients for five years now.

Drudgery or a piece of cake? Definitely not a piece of cake. If it wasn’t for my strong connection to the mountains, which I love and where I do my hobbies, I would probably move to a bigger city and look for a full-time job. I also have a wife and child who are not very keen to move. However, I don’t think freelancing is drudgery; I can’t afford the latest model of BMW, but I work only about two hours a day. Even though you need to be psychologically strong to work like this, the lifestyle is great.

Łukasz Bronisz: I think it depends on the individual. Everyone arranges their time and work environment differently. Some people prefer working at night and waking up at dusk in order to meet a deadline. Most of us, however, try to work during regular hours. It allows you to be in touch with agencies, allows you to make light changes and corrections and lets you have a private life too.

I imagine that freelancing in Poland is similar to freelancing in other countries. It can be hard sometimes because of tight schedules or having a number of projects going at the same time. On the other hand, you always have the opportunity to relax or even take a break for a couple of days. No one arranges your time or dictates your schedule.

Also, though, no one checks on you. If you choose to freelance, for which your income depends on how much you work, it’s reasonable to cooperate with several agencies. Doing this usually gives you enough orders that you don’t have to worry about the next month and can concentrate on your work. Of course, it’s always good to look for new projects so that you develop and diversify your designs.

Łukasz Bronisz

Konrad Wysokiński: It’s still quite difficult to get by as a freelancer in Poland, although there are probably some people who don’t have to worry about work or can be picky about contracts. I often get the impression that people still don’t know what good design is or know that it costs money. For many people, the Internet is still a must: “People are talking about it, so let’s make a website — but make it as cheap as possible.” Some company owners have this attitude. As a result they ask someone, anyone, who knows a little bit about Photoshop (a brother-in-law’s daughter) to create the cheapest website possible. Thankfully, this has been changing steadily, like our society in general, and I hope that our sensitivity to the profession of Web design will increase with time.

Mateusz Jakobsze: The Web design market in Poland has been gradually expanding. A lot of people freelance to get rid of the constraints of working for agencies. They want creative freedom and to earn more money. Undoubtedly, an advantage to freelancing in Poland is the opportunity to work for clients abroad who pay in Euro or American dollars. The ability to choose which clients and agencies to cooperate with is a big advantage as well. I always try to look abroad for new clients and to network. I have some regular clients as well as a couple of interactive agencies that I often collaborate with. We socialize not only at work but also at parties and unofficial get-togethers. It’s good to maintain informal relationships with your clients.

Mateusz Jakobsze

Question: How does the Web design and development market look in Poland? Is it possible to earn one’s living from freelancing alone?

Jan Stańko: It is possible, definitely. Many people are self-subsisting freelancers, including me. There are quite a lot of agencies and enough clients, and whether we get by depends on our hard work, consistency and responsibility. When it comes to cooperation with agencies, it usually goes smoothly; it’s the clients who are the weak link. But even that has been changing. The Internet is still a brand new thing for many people. Non-professionals find it difficult to catch up with the news that keeps popping up in the field, and sometimes this can result in misunderstanding.

Rafał Nastały: Freelancing is not for everyone. You need to be self-disciplined and consistent to work as a freelancer. When you collaborate with agencies that know how to communicate with clients and that pay generously, you can have a relatively high standard of living.

One negative aspect is the lack of credibility at the bank (getting a big loan is difficult), so if you’re not a high-profile Web designer, the best option is to have a full-time job and take additional work from other sources now and then. This creates financial stability. A bonus like that — a well-paid creative task — is actually very nice. There are of course some freelancers for whom one layout is worth more than the monthly earning of others.

Warszawska Jesień 2009

Piotr Biernawski: It is certainly possible to earn a living from freelancing. I know some people who earn more than ten thousand a month. I’m not talking about famous names here, but about people from small towns, “unheard of” names in our line of business. Considering the time I devote to work, I am not an example of this, but I can afford everyday living: mortgage, alcohol and cigarettes!

Łukasz Bronisz: I think that the Polish market is pretty good. It’s a young market. Actually the whole business is young. Polish clients have become more aware of the Internet in recent years. Plenty of talented people are in the trade in Poland. If you know how to organize your time effectively, talk to people and sometimes work more than the standard eight hours, then freelancing is enough to earn a living. The important thing is to be consistent and up to date.

Konrad Wysokiński: I’ll quote part of a conversation I had with a colleague, a designer. I asked him once, “Can you earn a living from freelancing?” He said, “It depends on your standard of living.” You can get by, of course, but you probably won’t make a fortune. I often get the impression that in Poland this type of work is considered a craft and is not treated with respect like other “professional” work. We are very far from the image of the Web designer you see in Hollywood movies, who has a five million dollar house with a swimming pool, has his own agent and who is the top Web designer for the most famous brands.

Konrad Wysokiński

Mateusz Jakobsze: It’s not much different from what you see in other countries. We have many arenas where graphic designers can display their work, like themed blogs and Internet forums. The majority of creative agencies and independent clients look for employees that way.

Freelance Web designing has been developing in Poland: about a quarter of agencies outsource on a regular basis, and more than a third use freelancers for selected projects. So, there are opportunities to work on different brands for different companies, which is good for both present and future freelancers.

Special workplaces and offices have gradually emerged where there is no boss and all the workers are freelancers. We have such a place in Poznań. It’s a great idea to have freelancers from different professions gathered in one place. I hope for more initiatives like that.

Question: What inspires you? Do you approach every design differently and enthusiastically, or is it sometimes like mass production?

Jan Stańko: Mass production kills creativity, so I avoid it as much as I can. I prefer to do less work better. Then you can show a portfolio that you are really proud of. It’s the only way I work.

Honestly, my inspiration comes from the work of other designers, both from Poland and abroad. Behance.net is a really amazing source, vast and rich. I don’t have a specific example, but this ocean of artistic ideas fuels creativity and prepares you to bring your own ideas to life. Then it just flows.

Rafał Nastały: When I have the freedom of choice and some time on my hands, I try to make something original that appeals to both me and the client. But it sometimes happens that there are several tasks and the deadline is “yesterday.” In this situation, I bear down and work like a robot while trying to maintain a high quality of work. I get inspiration from the Internet. I regularly visit websites devoted strictly to Web design like FWA, DesignFollow and obviously Smashing Magazine. I also visit DesignYouTrust, FormFiftyFive and FFFFound. You can find plenty of great art and designs from many fields.

Piotr Biernawski: Sometimes a free mind, a break from work and lack of inspiration are the best sources of inspiration! I work most effectively after a two-week break in which I do absolutely nothing — but such breaks happen only once in a while. This is why a freelancer needs to be psychologically strong, otherwise getting depressed is easy.

As for inspiration, I have bookmarked several links. They are mostly Polish productions, and I visit them now and then. Given how much I work, this may sound strange, but one’s attitude to design makes a difference. Unfortunately for me, the majority of my recent projects were due “yesterday.” A client pays for fast work, and standards have to be met. There isn’t always a sense of achievement when you work quickly, but as long as the client is satisfied, I’m happy as well. Some interesting projects require more involvement. Usually these are not assigned by agencies but by independent clients who come directly to me. Maybe this tells us something?

Reserved.pl

Łukasz Bronisz: I treat every design individually and use new ideas and techniques. When I start a project, I try to get a sense of what the client likes, but I also aim to be satisfied with my own work. It’s nice when everything goes smoothly and both the client and agency like your idea. Working with individuals can be tough; sometimes they just don’t appreciate your effort, which can compromise the result. This is typical both in Poland and abroad — at least, that has been my experience.

Konrad Wysokiński: I get inspiration from all around. I sometimes do corporate identity design, which can inspire me. Naturally, I watch the best people at work and keep up with the trends. I’m a fan of grunge design, but very rarely can I use it. Every project is a new challenge for me, so I give my heart and soul to each and every design. I’m never convinced by lines like, “Do it quicker and simpler for a lower price.” I believe it’s impossible to make something look professional without taking a professional approach.

Strzyg

Mateusz Jakobsze: Like every creative job, graphic design requires participation. To keep up to date with all the news in both Web and graphic design, I regularly visit the important portals and blogs devoted to this line of work, be they Polish or international. The crucial ones include Behance, Smashing Magazine, DeviantArt, the FWA and New Web Pic. Additionally, I find reading and browsing books on advertising, typography, designing for the Web (including for portfolios, Flash websites and e-commerce shops) and graphic design useful. It can also be a good way to relax and get away from the digital world to some degree.

The last (but most important) sources of inspiration for me are sleep and having a life outside of work (away from my computer). Socializing with friends and going to parties, cinema, opera and other cultural events renew my energy for creative work.

When it comes to designs, I treat every project differently, but I always try to have a plan, an idea of how to do the project, from beginning to end. I make some sketches, and when know exactly what I want, I get down to work. Every design is a new challenge. I set higher standards for myself every day, and I strive to be the best at what I do.

Showcase Of Beautiful Web Design From Poland

McDonald’s Happy Meal

Showcase Of Interactive And Creative Agencies In Poland

Przemek Matylla

Yep, that’s me! I’m a web-developer, interface specialist at Allegro, one of the largest online marketplaces in Central and Eastern Europe. I am in love with CSS, JS and AS3, ad basically everything front-end related. You can visit my personal blog or follow me on Twitter.

40个超棒的摄影师作品集网站设计欣赏

classiclori — Tue, 29 Jun 2010 07:56:49 +0000

这是一个关于极好的作品集网站设计收集。国内外有很多很有才的摄影师，而有些摄影师的作品集网站也同样很棒。本文列出40个设计非常棒的摄影师的作品集网站设计，以供大家参考。

同时我们不难发现，这些相册网站，绝大部分使用暗色调，比如黑色或深灰色，用很大的醒目的位置显示漂亮的图片以吸引读者的眼球。

Jeremy Cowart

Koen Demuynck

Mitchell Kanashkevich

Joon Brandt

Frederik Clement

Brent Stirton

Les Forrester

Alberto Ovied

Ashley Lebedev

Jill Greenberg

Paolo Boccardi

Eric Ryan Anderson

Lara Jade

Corey Arnold

Andrew Gransden

David Hill

Gavin Gough

Your Beautiful Photography

Dimitris Theocharis

Robert Dann

Chase Jarvis

Jonathan Glynn Smith

Jan Sochor

Lisa Bettany

Dennis Reggie

Christian Oth

Levon Biss

Little Hellos

Mark Velasquez

Daniel Kennedy Photography

Mark Velasquez

Rinze Van Brug

Emmanuel Rouzic

Raven Photography

Carlos Alonso Bodas

Kenn Reay

Jason Bell

James Day Photography

Evaan Kheraj

David Vasiljevic

No related posts.

40多个很有创意的单页网站设计

classiclori — Tue, 29 Jun 2010 07:50:50 +0000

看看一个设计师在一个单独的页面中能做些什么是件很有趣的事情。有的时候，单页网站可以传达比多页网站更多的信息。单页网站设计适用于没有太多内容的情况。有的设计师使用页签 (tabs)、折叠(accordion)效果来在一个页面中展现更多的信息。作品集网站常常是单页网站的一个完美例子，它可以让访问者很容易的看到内容。非作品集网站根据需求也将很有意义。

貌似单页网站可以让设计师自由的创作比传统的多页网站更独特的东东。或许是因为你只需要让它们在一个页面上实现就行了……

现在让前端观察带你欣赏一下这40个很有创意的单页网站设计吧：

1) Alessandro Cavakllo

2) Gotta Get To FOWA

3) Yura Sklyar

4) Basil Galoo

5) Fabiano Meneghetti

6) Ayush Sara

7) Deaxon

Alexandru Cohaniuc

9) Edit Studios

10) James Lai Creative

11) Red+White Sale

12) Tomas Pojeta

13) New Media Production

14) Brian Murchison

15) Stanislav Krofta

16) Tvrdek

17) Feelwire

18) luke stevens

19) Cpeople

20) Pikaboo

21) Rzmota

22) tomatic

23) Giat Creative

24) Marius Roosendaal

25) SOFA Designs

26) Daniel Stenberg

27) Chris Spooner

28) Tyler Finck

29) We Bleed Design

30) Delegu Studios

31) Designed by Dave

32) Portfolio de Guillaume Pacheco

33) Color Pixel

34) Jason Reed Web Design

35) Lonely Tweet

36) Maurivan Luiz

37) Just Dot

38) NerdoPlex

39) Sroown

40) Stage 5 Studio

41) Veeboo Labs

42) Zach Klein

Logo Design Process and Walkthrough for Vivid Ways

Inspiration: Awesome Dark Portfolio Sites

classiclori — Sun, 21 Mar 2010 09:20:19 +0000

These days, a portfolio is a must. What we have here is a list of dark portfolio websites that are split up into common groups that most portfolios fall in. The last group will be for those experimental dark layouts, where the designer tries something different.

Rotating Image/Static Featured Image

We’ll start out with perhaps the most popular forms of portfolio design. This is the jQuery rotating image. The great thing about this kind of portfolio is that you can show a lot of work, with minimal space, saving room for other information.

Also falling into this group is the static featured image. While similar to the rotating image, it may not be quite as effective as the rotating image because of the lack of animation and interaction. On the plus side, a static featured image could also be used as a teaser to get people to look at the rest of your work.

antonpeck.com

bressane.com

intuitivedesigns.net

jayhollywood.com.au

jilion.com

neutroncreations.com

oysterdesign.co.uk

projectkoreck.com

rocknsites.com

Tagline/Bio

With this kind of portfolio, the viewer goes to the website and sees exactly what the website is about or who the designer is. If what you are offering or your tagline peaks their interest, they will look around your website. It usually helps and makes it more effective if the tagline is paired with another one of these styles of portfolio website, unless the typography can stand on its own as a visual element.

alt-design.net

bythepond.co.uk

chanellehenry.com

wedesignwise.com

joshhemsley.com

justincline.com

liftux.com

markjmaloney.com

moxiesozo.comindex.php

phynk.net

radiiate.com

rareview.com

studio7designs.com

tonychester.com

visualgroove.net

Text/Feature Image

What makes this kind of portfolio website effective is that the viewer gets a little information about the website, as well as a sampling of what the portfolio has to offer.

ba21.us

harryjh.com

nosleepforsheep.com

sawyerhollenshead.com

slovaczech.com

thingsthatarebrown.com

Portfolio Grid

This type of website gets to the point like the tagline/bio and text/image, except the viewer gets bombarded (in a good way) with the designer’s work. This keeps the interest of the viewer, because they don’t have to look around the actual portfolio pieces.

design-dps.com

jannek.fi

jonahl.com

onvo.co.uk

phantomcandy.com

phunkn.com

thehousemedia.com

Non-Portfolio Image Large Header

This website basically shows the viewer what the designer can do without actually showing specific examples. A stand-out photo manipulation/illustration/photo catches the eye and gets the point across.

arsum.com

bogdanteodorescu.com

loscoloresolvidados.com

ronniewright.co.uk

subhaus.org

weightshift.com

Blog Style

This is a great way to provide viewers a more personal feel, which gives the website a lot more personality. It also gives the website a more current feel (if it is updated regularly), giving the viewer a reason to come back.

billytamplin.com

dougneiner.com

demainjarrete.stpo.fr

ismaelburciaga.com

Other

These websites don’t have the traditional layout that we saw above. Lets look at these one at a time to see why they are so different.

badabingdesign.nl

The portfolio part of this website has a slide show much like rotated image designs, but this one is flipped so they scroll vertically, with the project description to the left. This website gives a new look to a common layout.

constantinpotorac.com

Although the two-column layout isn’t uncommon, it’s not usually used like this in portfolio designs. A bio on the left and portfolio on the right takes a combination of the grid and tagline/bio portfolio, and gives it a new twist.

duplos.org

I almost put this website in the tagline/bio category, however, since the tagline looks like a part of the illustration, and doesn’t really say too much, I decided to put it here instead. There isn’t really much on the home part of the website, so you have to explore to learn more.

gomedia.us

This website, too, almost went into the tagline/bio section, but I felt that the portfolio image on the right had just as much importance. The idea of putting information in columns rather than rows gives equal importance to each section, rather than having a common website where there is a row-based hierarchy of the most important to the least.